“Nana, you have an infinity of dishes,” says Evan, who is nearly six; who tosses words into the air and pairs them with unlikely partners; who strings together metaphors like a bohemian necklace; who loves puns, making up his own then laughing and asking—Do you get it?
A punster, a mixer of words, a stringer of metaphor, he should be a writer, and I tell him so. He answers, “But I can’t write any words.” I remind him he’s starting school, he will learn.
For a moment the infinity of dishes that tracks through my kitchen from cupboard to table to counter, waiting to be stacked in the dishwasher or hand washed, depending on their taxonomy, gives me pleasure because Evan’s linguistic artistry gives me pleasure.
While returning home from running errands, I listened to only ten minutes of Kerri Miller’s fifty-minute interview with Oscar Hokeah on Minnesota Public Radio, but that was long enough to be intrigued by Hokeah and his novel Calling for a Blanket Dance. When I arrived home, I ordered the book from my library through the inter-library loan program. Because a library book has a “use by date,” Hokeah’s novel landed on the pinnacle of my reading pile; and its rising to the top–like delicious cream–was richly deserved.
What is this book about?
The story focuses on Ever Geimausaddle, who is Native American and Mexican. Each chapter in the book is narrated by one of his relatives, and the last chapter is narrated by Ever. Through these family members, we watch Ever struggle as a child and an adult, and we learn about his extended family and their place in his life.
In the first chapter, Ever’s grandmother Lena Stoop introduces us to him when he is six months old. Ever and his parents, Everardo and Turtle, are returning to the United States from Mexico when they are stopped by three Mexican policemen who severely beat his father and rob his parents. Throughout the attack, Ever’s mother tries to keep him from waking. She doesn’t want him to witness the violence, but he wakes up and sees the brutality and rage.
Lena travels to a border town in Texas to pick up her daughter, son-in-law, and Ever, returning them to Oklahoma. Lena tells her daughter that she is concerned about what Ever saw. Even though he won’t remember the episode, their Native American culture teaches that babies and young children shouldn’t be exposed to violence: “They could be witched. Their spirit forever altered. A witching was almost incurable.” Lena’s daughter snaps at her mother, calling her superstitious, but then she falls silent because she, too, is worried about what her baby boy saw.
Ever’s father suffers permanent physical and emotional damage from the beating, but Ever’s mother, with the help of relatives, strives to keep her family intact. However, the memory of violence that Ever’s family experienced can’t seem to be conquered or at least forced to retreat.
What makes this book memorable?
Every time I had to put Hokeah’s novel down, I looked forward to the moment I could pick it up again. Through his masterful prose and skillful use of twelve different narrators, the reader comes to understand Ever and his family: their pain and disappointments, their hopes and dreams, their failures and successes, and their capacity for love and forgiveness.
Hokeah incorporates themes of poverty, inter-generational trauma, discrimination, marginalization, and redemption throughout the story the way an artist uses exquisite but understated brush strokes to make a painting come alive–strokes so subtle, yet so integral to the work of art, that without them, the picture would be flat and lifeless. Hokeah’s landscape of story, theme, and narration make Calling for a Blanket Dance a richly constructed novel, drawing readers in and holding them until the last page.
Yesterday, Ziva, Bogey, and I went for our first walk at 8:00 a.m., our second walk at 1:30 p.m., and our last walk at 4:30. We let the 20-mph winds off Lake Michigan push us down the road, until we had to turn around, then we leaned into the wind and pretended we were walking to school, uphill, in a snowstorm, for five miles. A bit histrionic but fun.
Ziva’s and Bogey’s ears flapped and fluttered in the wind, but my ears were tucked under my stocking cap. I liked stocking caps when I was a girl who played in the snow, but when I turned thirteen, I wouldn’t wear a hat in winter, no matter how cold it was. I wasn’t going to mess up my hair. Instead, I arranged my long, not-so-thick hair over my ears, trying to keep them warm.
Now I have four favorite knit stocking caps, and when it’s cold, I wear one. I even have a knit hat with earflaps that ties under my chin. I’m not letting my head or ears freeze. My nana always told me, “Keep your head and your feet warm, and the rest of you will follow.” I think about her when I put on a stocking cap and a pair of wool socks. Nana repeated her “warm head, warm feet” advice to me a lot when I was a foolish, hatless teenager, dashing through cold winter days.
One of my granddaughter’s leaf creations, October 2020
Yesterday’s picture theme: autumn-colored leaves. I took oodles of photos of newly fallen leaves because I could see that each one was unique, deserving to be photographed. If my granddaughter had been with me, she would’ve collected the leaves, oohing over each one, handing them to me to hold as she collected more to use in art projects.
Around 9:00 p.m., I took the dogs out in the yard for their last potty break of the day. The swirling wind whipped up a smorgasbord of scents, stirring something primal in Ziva and Bogey. They sniffed the air and the ground, weaving in and out of bushes, looking for little critters. Under the full moon, they chased each other, zooming in circles, like a couple of young pups with the crazies. Autumn makes me feel that way too.
Overlooking Lake Michigan on our morning walk
Moonlight in Michigan (The sky around the moon was much darker, but this is how my phone camera interpreted the light.)
When I walked Ziva and Bogey this morning shortly after sunrise, the sky was a jumble of dark clouds and bright blue patches. The sun illuminated gold, orange, and red leaves, giving the impression they were lit from within. Of course, the dogs had to wait while I snapped pictures, and I never tire of taking pictures of trees dressed in fashionable autumn colors. When the dogs became impatient, I reminded them that I spend lots of time waiting for them while they smell blades of grass, tree trunks, and mailbox posts.
Finally, we turned down another road, and I spotted part of a rainbow. Out came my camera phone, again. As I alternated between walking and taking pictures, the rainbow became an arch, one end appearing to dip into Lake Michigan and the other end appearing to stand in a field about a half-mile away, giving the impression that if the dogs and I set off across the field, we would find the end of the rainbow with a leprechaun and a pot of gold.
Standing on a fieldDipping into Lake Michigan
As a child, I knew about leprechauns who guarded their gold at the end of the rainbow from people who tried to steal it. My sisters and I fantasized about finding the rainbow’s end and the leprechaun with his riches, but we knew it was a folktale.
If the tale had been true, I’d have picked the leprechaun over the gold, which I knew meant wealth, but only in the way a six- or seven-year-old understands wealth. Besides, I lived in a comfortable home with plenty of food in the cupboard. But a leprechaun was a magical two-foot-high man with orange hair, dressed in green, smoking a pipe, and speaking with an Irish brogue. According to folklore, if we would’ve caught a leprechaun, he would’ve granted us three wishes in exchange for his freedom.
This morning while walking on the country road, watching the rainbow form a half circle through the sky, I wished that the fields and trees in this enchanted place would stop disappearing. In the eight years I have been visiting my mom, ten new homes have been built, and each one stands on an acre of land. Each new house means a loss of trees and fields. A loss of habitat for birds, bees, butterflies, and small critters that I don’t see, but the hawks who perch in the trees are evidence of their existence.
Today, looking at the rainbow arching over the still undeveloped fields, I don’t wish for gold or to meet a magical leprechaun protecting his stash. I imagine a leprechaun at the end of today’s rainbow protecting a field, keeping it safe for insects, birds, and small critters, and I wish that each homeowner in this neighborhood would leave a strip of field along their lot lines.
Crisp autumn days are my favorite time to walk my dogs. I watch the shifting scenes of autumn: trees turning shades of red, orange, and yellow; leaves dropping gently to the ground—then days of high melodrama when howling winds and heavy rains come to rip the once-vibrant leaves from their stems, stripping the trees bare.
As the rich autumn shades—all warm hues on the color wheel—replace the cool hues of green, autumn wraps me in nostalgia, carrying me back in time to my youth. I’m warmed by memories of raking leaves into circular paths resembling the yellow brick road; of walking through the woods with oak, hickory, and maple trees awash in fall colors; of gathering acorns and hickory nuts while a blanket of dried leaves crunched under my feet.
I’ve been in Petoskey, Michigan, since Tuesday, and I’ve been walking Ziva, my dog who came with me, and Bogey, my mother’s dog. Petoskey, nestled on the eastern side of Lake Michigan, is beautiful anytime of the year, but October is my favorite time to visit. The weather, scenery, and vegetation are a blend of southeast Wisconsin, where I grew up, and northwest Wisconsin, where I live by Lake Superior. Coming here is like returning to the fields and woods of my youth, while almost feeling like I haven’t left home because Lake Michigan keeps me from missing Lake Superior.
On Tuesday and Wednesday, sunshine, warm breezes, and fall colors filled the days, and the dogs, my sister, and I walked the country roads in my mother’s neighborhood. My sister went home yesterday, but I’m still here with my mom and the dogs. Today, the rain and wind arrived, pulling autumn-colored leaves from the trees. The dogs and I still walked, but we timed our strolls between shifts of rain. Bogey has a raincoat, but Ziva would rather get wet than wear one. I could’ve carried an umbrella, but the strong winds would have turned it inside out.
On our second walk of the day, I had the dogs pose by a vignette of pumpkins, squash, mums, and hay bales arranged by one of my mom’s neighbors. I’m going to have a 5 x 7-inch photo made and frame it, a reminder of a gray but lovely autumn day when two big-hearted dogs kindly let me take their picture on a blustery day.
A Delicate Balancing Act by Kimber Fiebiger; downtown Mankato; made me think about the writer’s life
The Deep Valley Book Festival is set in Mankato, Minnesota, a charming town tucked in by rolling tree-covered hills and edged by the Minnesota and Blue Earth Rivers. This is the first book festival I’ve ever attended. My daughter-in-law and I drove down on Friday afternoon, a warm sunny day that premiered some stunning fall colors.
After we checked into the River Hills Hotel–a cozy and clean establishment with a friendly clerk–we headed to downtown Mankato for a walk then dinner. It was quiet for a Friday night, but I imagine if the Mankato Mavericks had been playing, the streets would’ve been skating with hockey fans. We had a good meal at the Pub 500. Our waitress was friendly and efficient. She carded my daughter-in-law, but she didn’t card me! Of course, that’s probably because I didn’t order a drink; otherwise, I’m sure she would have. I had a delicious fish taco.
On Saturday morning we arrived at the book festival just before nine o’clock, and we planned to stay until it ended at 4:30. We were motivated by the hourly drawings for books and the opportunity to hear author Curtis Sittenfeld talk about her writing.
We made sure we stopped at all the tables, sometimes briefly, other times lingering to listen to writers speak about their books, which included children’s and YA literature, fantasy, mystery, thriller, romance, historical fiction, memoir, nonfiction, and poetry.
A book festival is filled with writers, but they are there to sell their books. There are no writing classes. The local library had a table, and Content, a bookstore from Northfield, Minnesota, also had a table. I noticed two publishers who were selling books by authors they represented. I asked one publisher if they were a traditional publishing house–they weren’t. The representative of the company said they like an author to put up fifty percent of the cost of publishing his or her book. I didn’t ask the other publisher about their business model.
Authors work hard at a book festival. They sit or stand for hours and talk about their books to people who look, smile, and listen, but often leave without buying a book. I bought two children’s books, two novels, and a nonfiction book. My daughter-in-law bought some books too. We plan to exchange our books with each other.
We finished touring the festival around noon. We sat and each of us started reading a book we had purchased. I read Facets of Death by Michael Stanley, a fast-paced Detective Kubu story that captured my attention, a good thing because I won another Detective Kubu story, A Carrion Death in a drawing being held by the author. My daughter-in-law read Bingo Barge Murder by Jessie Chandler, which she enjoyed, saying it was humorous.
When reading made us hungry, we left to have lunch at Applebee’s, then went for a walk. But we soon returned to the book festival to check the small white board to see if we had won any books–we hadn’t.
The book festival was held at the WOW! Zone, an interesting place for a book festival. The WOW! Zone has a bowling alley, a game arcade, and food. It was noisy, but fortunately, most of the booksellers were tucked into the restaurant that had been converted into a makeshift venue, and so the noise wasn’t too bad. We wanted to read more because we had almost two hours to pass before Curtis Sittenfeld’s talk. Seating in the WOW! Zone was limited, so we ended up at a table in the bowling ally and read to the rumble of rolling bowling balls and clattering pins. But when I’m reading a good book, background noise fades away.
By three o’clock, I was tired and we had a four-hour drive home. But I had heard Curtis Sittenfeld speak on a Zoom talk and enjoyed listening to her, so I didn’t think about cutting out early. Sittenfeld began by saying that she has done hundreds of talks all over the country, but this was her first time giving a book talk in an arcade. The audience laughed with her because we understood. Most of us had spent the whole day or part of the day at a book festival held in an arcade. Sittenfeld was kind, charming, informative, and entertaining. The hour flew by.
With our bags of books, my daughter-in-law and I headed home. We had new reading material, and we were ready for the upcoming winter.
Books I bought:
Facets of Death by Michael Stanley because after reading a paragraph, I liked the writing, so I took a chance that the story would also be good.
Tuckerbean in the Kitchen by Jill Kalz because the book festival was the same day as my grandson’s birthday. He turned six, and I think a story about dogs cooking will appeal to him. Plus the illustrations by Benton Mahan are adorable.
Eligible by Curtis Sittenfeld because she was there, and I wanted to have a book for her to sign. And because I’ve read American Wife by her and liked it, AND because Eligible is a modern retelling of Pride and Prejudice, which I love and have read three times. Plus I’ve seen three different movie versions of Austen’s enduring novel.
My short story “Dust Upon the Wind” was published by the Mason Street Review, Fall/Winter 2022/2023 issue. My story can be read by clicking here. Other work in the Mason Street Review, can be enjoyed by clicking here.
[This essay received an honorable mention in the Wisconsin Writers Association’s 2022 Jade Ring Contest. To read the works of other winners, see the links after the essay.]
Charlie broke my heart in 1971. Dressed in a top hat and tuxedo, and well-groomed with manicured nails and combed hair, he was debonair, even if his monocle made him look a bit stuffy. Always ready with a smart comeback, a smooth put-down, or a drop of wisdom, he was witty, candid, and self-assured. Charlie was a dummy, but I wanted him anyway.
The big problem—he was unavailable. Like all desirable men, he was taken. Women everywhere had lined up to have a chance with him. Seems like everyone wanted a wise-cracking fella who was perpetually dressed for the opera.
My mother broke the news to me. “Honey, I have to talk to you about your Christmas list.” I was twelve, so we had long ago stopped calling it “my letter to Santa.”
“I’ve looked everywhere.” Her voice shrunk as she spoke. “I can’t find a Charlie McCarthy doll.” She asked me to think of something else to add to my list. I did, but I don’t recall what it was. I could’ve asked for a hand puppet, but that would’ve been like having to settle for Eddie Haskell after hoping to date Donny Osmond. There was no substitute for Charlie.
I wanted to be a ventriloquist. I was going to be famous. I was going to be a star. And I couldn’t do it without Charlie. My daydream about becoming a celebrated ventriloquist was another chapter in my someday-I’ll-be-a-famous-singer-actor-or-dancer book of fantasies. I spent hours singing with Doris Day, Petula Clark, Dionne Warwick, and Barbara Streisand, pretending to be them. Sometimes I sang along with Johnny Cash, Frank Sinatra, Sammy Davis Jr., or Trini Lopez, pretending they had recognized me—a famous singer—in the audience and called me up on stage to sing with them. The exuberant audience, unable to contain their cheers and thunderous clapping, would rise to their feet moments before we had finished our duet.
Sometimes, I’d lay on the floral velour couch in the living room, the most elegant space in our farmhouse, and imagine myself a great actor giving spellbinding performances on stage or film. Or I would be Cyd Charisse, dancing, defying Newton’s laws of motion, giving men whiplash. When I wasn’t doing my famous talent stuff, I would travel to exotic places, win awards, and marry a leading man or a velvet-voiced crooner.
With Charlie I would’ve been more than a ventriloquist—I would’ve been funny! The see-saw, back-and-forth humorous banter between Charlie and Edgar Bergen captivated me. Bergen said things that came out of Charlie’s mouth. Through Charlie, Bergen insulted people and everyone laughed at Charlie. Through Charlie, Bergen flirted with women and everyone thought Charlie was adorable. Charlie sassed Edgar, his elder, and never got whapped alongside the head. My twelve-year-old mind found this setup very attractive. But reflecting on it now, I don’t think my mother would’ve whapped Charlie alongside his head.
After I learned Charlie wouldn’t be helping me on my way to ventriloquism fame, I crawled in the closet under the stairs. I sat with a box of hats, mittens, and scarves. I inhaled a mixture of musty wool and dust while tears rained down my cheeks. Charlie would never sit with me on the floral velour couch. I wouldn’t toss my voice into his throat. I wouldn’t watch our reflections in the mirrored wall as we practiced talking to each other. We might have sung along with Sinatra or Streisand, the three of us making harmony.
I was crushed. I was heartbroken. I was an overly-dramatic twelve-year-old. Oscar worthy, no doubt.
I’d like to say that I pined for Charlie and that Christmas Day was hollow without him and that I asked for him for my birthday in March. But I did none of that. I was over him before Christmas. I don’t remember what I got instead of Charlie, but it was the next best thing, and I’m sure I was happy with it. I ate my mom’s good cooking. I played board games with my sisters and cousins. And I read my new Nancy Drew mystery before I drifted off to sleep that night.
If Charlie hadn’t stood me up, truth is, I would’ve dumped him. Within a month or so, he would’ve been tucked away in my closet, along with my fantasies of winning an Oscar or a Grammy. I hope all the Charlies found better homes.
I never became a famous singer, dancer, or actor. I can’t carry a tune. I have no sense of rhythm. And in seventh grade, I learned I had terrible stage fright.
Funny, when I was twelve, I never imagined myself as a famous writer. I started writing after I retired, so I’m too old for silly fantasies now. But if I were twelve, I would win a Pulitzer Prize, I would make Oprah’s reading list every other year, and the New Yorker would call me and beg for one of my short stories.
[All the winners of the 2022 Jade Ring Contest can be read in the online Creative Wisconsin Magazine, along with other essays, poetry, and articles. If you wish to purchase a copy of the Wisconsin Writers Association Anthology 2022: Jade Ring and Youth Writing Contest, click here.]
I’m not sure I’m a writer anymore, so I thought I’d write a blog post to see if I could prove myself wrong.
My mother had quadruple by-pass surgery on September 2, in Michigan. My sister and I went to be with her before surgery and to take care of her afterward. My sister is still there, and I will go back in a couple of weeks when she leaves. We marveled at how time blurred. I thought about Salvador Dali’s limp, contorted watches.
I spent two weeks in Michigan and wrote only one paragraph—and not a long one like the kind Henry James used to get up to.
Busy and tired and apprehensive, the idea of putting words on paper was akin to slogging through a swamp, like Bogart pulling his boat the African Queen through the marsh then emerging from the water, speckled with leeches, pleading, “Pull them off me.” Certain my words would be leeches, I didn’t write, except for the one skimpy paragraph that would’ve reduced Henry James to convulsions.
But I read a book about writing (The Complete Guide to Writing Fiction by Barnaby Conrad), and as if to scold me, a whole section in the book was dedicated to the point that writers write: they make time every day, no matter what; even on Sunday, said one writer. And me? Only one paragraph in two weeks.
Statue based on a 1920 photograph of Hemingway about to depart Petoskey for a job in Toronto
I didn’t compose in my head either, like I do when I’m at home. I didn’t want to think about ideas for stories or essays that I wouldn’t jot down. No point in it because I either couldn’t or wouldn’t write while I was in Michigan. Even the Hemingway statue in Petoskey didn’t inspire me. Instead, every night after reading The Complete Guide toWriting Fiction, I’d drift off to sleep, thinking about a story I’d already written and ask myself, “How does the writing advice compare to what I’ve written?” I never stayed awake long enough to come up with a concrete answer.
I bought three slim journals decorated with whimsical artwork and bound with smooth covers that gave my fingers pleasure when I caressed them, but I didn’t write a word of prose in them.
I attended a webinar with Allison K. Williams called Pitch, Publish, and Get Paid. I hid in the upstairs guest room and made myself take the time to watch it live because I’d paid for it and because Williams is a good teacher. I jotted a few notes in one of my new journals, the one with fanciful cacti on the front because I felt prickly. But I didn’t write anything to pitch or sell.
I wrote letters and postcards to friends and relatives. But my notes lacked story arcs, themes, and snappy dialogue. I kept them purposefully short because I didn’t wish to put the people I love to sleep. By the time they realized my letters were a snooze, they’d be done reading, thereby avoiding the need to abandon them.
I took pictures of flowers and scenery that moved me, thinking later I could write inspiring blogs based on the images.
I received two rejections for the same story that I was falling asleep thinking about. (If I’m getting rejected, I’m a writer, right?) I’ve revised it dozens of times. A couple of months ago, a journal long-listed it then declined it. The story, an old-fashioned piece, won’t be an easy one to place, but I like it now, despite our once rocky relationship.
The night before I left Michigan, an editor from the Mason Street Review, published by the Newark Public Library, sent me an email accepting a story I’d submitted. But my excitement fizzled because I was more concerned about not having written anything in two weeks. This is warped in the way that a person about to hang criticizes the rope being used.
I came home and still didn’t write for a few days.
But I started composing in my head again.
I finished reading The Complete Guide to Writing Fiction.
I started playing with Nina Schuyler’s Stunning Sentences series. Every few days, Nina selects another writer’s stunning sentence, all of which are complex: left-, right-, or mid-branching, dripping with clauses and phrases. She breaks the sentence down and analyzes it. How does it work? Why does it work? What literary techniques are used? Then it’s my turn to create a sentence following the formula as closely as I can. This is Kung Fu,and I’m Grasshopper. I love it. Read, contemplate, and emulate a master. It’s meditative, it’s Zen, it’s sit-on-a-pumpkin with Henry David Thoreau. Since coming home, I’ve tackled three stunning sentences and each one I wrote had at least one element that made me proud. But one sentence does not a story make. Although, it could if someone else hadn’t beaten me to the baby-shoes-for-sale bit. I’ve been accused of parsimony with words, but I’m not good enough to be as cheap as Hemingway.
As I finish this blog piece—sitting in my office, surrounded by books, my dog sleeping by my desk—I feel like a writer again. I’ve written something with a beginning, a middle, and an end. Recently, I read a quote by a writer who said that if we question our ability to write or if we wonder if we’ll ever write something worthwhile again, then we’re writers because that’s what writers do.
But tonight, it’s my dog Ziva who acknowledges I’m doing something important. My writing session has trespassed into her walk time, but she gives me the space to finish my rough draft before we go for a walk. In the picture, she appears to be sound asleep, but be assured as soon as I lift myself from the chair, and before I can straighten up, she will be off her bed in a blink, ready for her walk. She’s earned an extra treat after our evening stroll.
She’s not really sleeping. And as predicted, as soon as I lifted my butt off the chair, she sprang to her feet, cocked her head, and asked, “Are we walking now?”
My essay “The Dummy Never Showed Up” earned an honorable mention in the Wisconsin Writers Association’s 2022 Jade Ring Writing contest. My essay can be read by clicking here: Creative Wisconsin Magazine then scrolling down to page 15. The other contest winners’ stories, essays, and poetry can also be read by clicking the above link,
Creative Wisconsin Magazine also published my essay “Remembering Nana Kitty” on page 64. My essay can be read by clicking here: Creative Wisconsin Magazine then scrolling down to page 64.
Thanks to all the hard work of the contest organizers, judges, and editors!
Writing Near the Lake 