Ziva Baby, the Diva Dog

Me and Ziva, our last trip to Michigan in October 2025, photo by Max Youngquist

On April 6, our poodle, Ziva, passed away. She was fifteen years and two months old. I’ve tried to write about her passing for the last six months. But choosing the right words to capture her personality is difficult–she had such a big personality–and writing about her makes me sad. There is so much to say about Ziva that if I put it all in this blog, it would become a novella (though not with a story arc). But I need to say something about a dog I loved so much, who left such a hole in my heart.

So here goes . . .

Ziva was born on January 23, 2011. She was ten weeks old when we picked her up from Ruth and Emmett who were Minnesota farmers but also raised dogs. Ruth raised the standard poodles; Emmett raised the Labradors. They did not–as they said more than once–raise Labradoodles. At the time we got Ziva, we had another poodle, Cabela (almost three years old), whom we had also purchased from Ruth and Emmett. Ziva snuggled on my lap the whole way home, nearly four hours of bonding time. I remember feeling bad about taking her away from the farm and her dog family.

Ziva (L) and Cabela (R) loved to share the couch

We bought Ziva because our first poodle, Bailey, died, leaving Cabela without a four-legged companion. From the moment they met, Bailey and Cabela were great friends. We expected the same would happen when Cabela and Ziva met. Ha! For the first two weeks anytime Cabela came near Ziva, she shrieked like someone had stepped on all four of her paws. Each time Ziva squealed, Cabela walked away. “Oh great,” my husband and I said each time this happened, “so much for getting a companion for Cabela.” But two weeks to the day after her arrival, Ziva invited Cabela to play. Per Ziva’s wishes, they played gently and in short spurts. This is how Ziva played with dogs for the rest of her life.

Ziva loved to chill

Ziva wasn’t anxious or timid, but she could be a bit of a baby, especially when compared to Cabela, who was more stoic in nature. So, Baby became Ziva’s middle name. We also called her Ziva the Diva and Zippy. Calling her Ziva the Diva was never meant ironically, but calling her Zippy was, as she was usually anything but zippy!

Ziva did most things at a leisurely pace. (Except at treat time when she beat everyone into the kitchen. Or at car-ride time when she beat everyone to the garage door.) As a puppy she never had lightning-paced zoomies. At best she trotted. While Cabela sprinted hot laps around our house, Ziva jogged, completing one lap to Cabela’s two or three. Often Ziva gave up and turned around after completing a partial lap. She thought it silly to run around the house in circles when she could be relaxing on her outdoor bed on the deck in the warm sunshine.

The same vet who told me Cabela had the heartrate of an athlete, discovered Ziva had a heart murmur so quiet it was nearly undetectable. Ziva’s heart murmur never seemed to affect her health or her personality. Her murmur never went away, but it never grew worse. She never needed treatment for the condition.

Ziva and Ducky

Ziva didn’t play much with toys, but she had a favorite — a stuffed duck that said, “Quack, quack, quack, quack, quack,” when squeezed. She loved the sound. She’d bite it gently, trying to make it quack, but she often failed. So, she would toss it or drop it at someone’s feet, her way of asking, “Please, make it quack!” When our grandkids played on our living room floor, she would find Ducky and lie down on the floor near them. My grandkids all learned to make her duck quack. Over the years we bought her that same duck again and again. A few months before she died, her duck stopped quacking, and we couldn’t find a replacement. Ziva didn’t understand why we couldn’t make her duck quack. Mostly, we kept it out of sight, high up in a basket. The look in her eyes when we couldn’t make it quack anymore bruised my heart.

Ziva was a talker. In a classic Ziva-the-Diva move, she would stand in the hall by the kitchen, and grumble when she wanted her evening treat–a low, soft grrr to start. Either my husband or I would say, “Did you hear that?” But neither of us would move. Ziva’s next grumble would be louder. But my husband and I would just chuckle; we loved this evening routine. Finally, Ziva would give one loud bark: “Hey, I’m talking here. How about my treat?” My husband would ask her, “Is it that time?” Understanding what that meant, Ziva would dash to the treat cupboard.

Ziva on a walk with her cousin Nellie

While on walks, she greeted strangers with a bark. Sometimes people asked if they could pet her, but I always declined because I wasn’t sure what Ziva would do. She was eleven years old when I finally figured out that this particular bark was meant as a greeting. A man in my mother’s neighborhood begged to pet her, saying he loved dogs. But I was leery. He insisted it would be okay. Ziva and I approached slowly. As soon as we reached the man, Ziva leaned her body against his legs, her way of hugging, while the man stroked her ears and neck. Ziva was ecstatic. From then on, if someone asked to pet her, Ziva and I would approach slowly. Ziva would give hugs and relish the petting. She was never in a hurry to move on. And once we walked away, she often gave another bark. I like to think it was her way of saying, “Until next time, my friend.”

Ziva (L) and Bogey (R) on one of their many, many walks together

We often visited my mom who had a standard poodle named Bogey. He was taller and longer and weighed almost double what Ziva weighed. In the evenings while we watched TV, Bogey would decide it was time to grab one of his toys and make it squeak over and over. After about thirty seconds of this, Ziva would hop down off the couch, approach Bogey, and let loose with several loud barks, as if to say, “Knock it off. It’s time to relax.” Bogey would stop, and Ziva would settle back on the couch. But Bogey was always brazen enough to squeak his toys again. Once more, Ziva would hop off the couch, look him in the eyes, and bark, “What part of ‘Knock it off’ didn’t you understand?” Bogey rarely pushed it a third time. Bogey had great respect for Ziva, deferring to her wishes. My mother liked to say Bogey was afraid of Ziva, but they were companionable. I often took them on car rides and for long walks together. They sometimes played together in Ziva’s gentle manner. They shared their food with each other. In a silent agreement, when their bowls of different food were placed on the floor at separate ends of the kitchen, they swapped places, each believing they were getting the better meal. There was never a cross word about meals or treats.

Ziva didn’t like kennels. We tried to kennel train her as a puppy, but she would cry nonstop if she was in a kennel. The first time we left her home alone in a kennel, we came home to find a few of the metal bars on the kennel bent, and on the outside of the kennel, a puddle of drool with spots of blood dotted the floor. I never put her in a kennel again. She was a tad claustrophobic. I understood because so am I.

Ziva after shredding a box of tissues and a sales flyer. I couldn’t scold her. If I did she became absolutely dejected. At best I could calmly say, “This is a no-no.” Then I’d work to improve my paper-defense strategies.

She loved ripping paper of any sort. I became an expert at keeping books, newspapers, magazines, and boxes of tissues away from her. She became an expert at finding the weaknesses in my defensive strategies. She never ate the paper. I don’t think she did it because she was anxious or bored. She just seemed to find great joy in shredding it, especially if no one was at home to tell her to stop. Eventually, for the most part, she outgrew this. But even in her senior years, if I left a tissue or a piece of paper towel on the end table at night, in the morning I would usually find she had shredded it.

Me and Ziva, photo by Max Youngquist

Ziva loved everyone in the family, including extended family members, but I was her preferred pet. If I was reading or writing in the front living room, she had to be with me. If I was in the kitchen, she was in the kitchen. When I wrote in my office, she napped on her bed near my desk. If I got ready to leave the house, she asked to go with me. If she saw me take out a suitcase, she wouldn’t let me out of her sight. Our first two poodles tended to be daddy’s girls. So, why didn’t Ziva become a daddy’s girl? I have a theory. When Ziva arrived, I think she figured out that Cabela had dibs on my husband, so I became her chosen person by default. If that’s the case, I’m honored to have been the second fiddle who ended up first chair.

My Short Story Collection Has a Title: Silent Negotiations

My story collection has a title! I’ll debut the cover when that is done.

In February 2027, the University of Wisconsin-Stevens Point will publish my collection of short stories through Cornerstone Press, their university press. I’m excited, and nervous, and grateful. This is my first book, and like a first-time parent, I’m not sure what to expect, so I gather information. I talk to other writers who have published books. I attend book launches and author talks. I read blogs and articles and attend seminars about how to nurture a book in the world.

When Cornerstone accepted my manuscript, my publication date was more than two years away. But now it’s about fifteen months away, and if there is one thing I know about time — it’s how quickly it flies. I need to promote my book, and for that it needs a title.

When I submitted my collection in November 2024, it was called Fishing Around in the Dog Days of Summer, after one of the stories in the book. I chose the title for a couple of reasons. First, I really like its eponymous story about two young sisters with a tenuous relationship who go crayfishing on a hot, humid August day. Second, all the characters in my short story collection are fishing around for something they want. They each dip a line in the murky waters of their lives during their own dog days, hoping to catch something they long for.

But as much as I liked my original title, I began to feel it was too long and would be hard for people to remember. And I worried if the cover depicted a fishing scene along with the title, potential readers might think all my stories were about fishing.

I looked at my table of contents and considered other story titles. “Silent Negotiations” jumped out at me. It’s short and easy to remember, and it’s another story I really like. In 2020, it won second place in the Hal Prize Fiction Contest. (So, I feel the title has good mojo.) In the story a couple who have been married over forty years renegotiate the parameters of their marriage during a disagreement. Each spouse speaks their mind, but only to a point. The rest of their negotiations are silent, yet significant. The characters in my other stories are like the old married couple in “Silent Negotiations.” They all want something. They all talk to each other, but they leave things unsaid. And what is left unsaid, changes who they are with one another and themselves.

After I decided to change my title to Silent Negotiations, I asked my writing friends and readers what they thought. They had all read my stories several times, so I knew they would be good judges as to whether or not the new title would be a good fit for the collection. They all loved Silent Negotiations.

Last weekend I attended the Wisconsin Writers Association Conference in Stevens Point. The Cornerstone Press editors were there too. I talked to Dr. Ross Tangedal about using Silent Negotiations as my title. He liked it too, and so did his student editors.

My book has an official title!

Now, I’m excited to see some cover designs. Before I know it, Silent Negotiations will be out in the world.

I’m hoping to use this picture for my author photo. Photo credit: Max Youngquist

Today I’m a Writer with a Warm Heart

Today I went to the Monarch Festival hosted by Duluth Monarch Buddies (DMB) because I want to plant pollinator gardens. But I also went because I wrote an article about DMB, and I promised the organization’s president I would come. (To read my article, click here, and turn to page 22.)

What a thrill to see my article front and center on the welcome table!

The Festival was held at the First United Methodist Church, which we locals call “The Coppertop Church” because it has a magnificent copper-topped roof. (If you want to view the locally-famous roof, click here.)

On my way into the Monarch Festival, I passed a table with pamphlets and brochures. And in the center of the table was a copy of Northern Wilds magazine opened to the page with my article. Wow! I was excited and touched. I told the woman seated next to the table, “I wrote this article.” In my right hand, I carried three copies of the magazine to give to DMB board members. One for the president, one for the vice president, and one for the secretary.

Once inside, I reintroduced myself to the president and gave her a copy of the magazine. I’d met her last summer, and I’d spoken to her on the phone this spring. She gave me a wide smile and a big hug. She asked if she could take my picture while I held the magazine open to my article. She made me feel like a celebrity. I already knew she liked the article because I had her read it for accuracy before I sent it off to my editor in April. I wanted the facts about monarchs, pollinators, and DMB to be correct. But seeing the article in print with photos is different than reading it in a word document. She was ecstatic, thanking me and telling me it was wonderful. This made my whole day because I worked hard to make the article interesting and informative.

She introduced me to someone who was filming the event for the local public TV station. She thought he might be interested in interviewing me, but he wasn’t. This wasn’t disappointing in the least because I don’t like talking to TV cameras. (Although, I would’ve done it because I’m trying to be braver about public speaking.)

The Monarch Festival was wonderful. I talked to people who are passionate about helping monarchs and bees. I learned more about planning my own pollinator gardens. I listened to the featured speaker talk about using drones to count milkweed plants in order to monitor pollinator habitats.

On my way out of the Festival, the woman seated by the table in the entry said, “I’m going to read your article later.” Talk about leaving on a high note.

It warmed my heart to know that the people I wrote about enjoyed my article, and I felt proud to represent pollinators who make our world a sustainable place.

Today was sweet because writing is hard. It’s frustrating to hear the words in my head, yet know as I endeavor to put them on paper, it will feel as if I’m searching for them in a mist. Usually, this is how each piece I write begins. But somewhere along the way, as I revise and revise, and if I’m lucky, the words fall into place. And if I’m very lucky, someone loves what I’ve written.

I scored information, seeds, a butterfly sticker, and a card.

My First Book!

When I told my husband I was dedicating my book to him, he said that I should dedicate it to our dog Ziva. She logged a lot of hours with me while I wrote.

In February 2027, my first book, a collection of short stories, will be published by Cornerstone Press, which is run by the University of Wisconsin-Stevens Point. Yay! (Imagine an emoji of happy, dancing feet here.)

I spent five years working on my collection of short stories. Every time I submitted a story to a journal or a contest, I sent a bio. In each bio I started writing: She is currently working on a collection of short stories. Because I wrote this in my bios, I kept writing short stories. After all, I didn’t want people to think my words were fluff. For me writing and submitting to journals was scary enough, but the idea of getting a book published was scarier. So, every time I wrote the words: She is currently working on a collection of short stories, I eased my way through my fears. Putting it in words over and over made it less intimidating and eventually kind of like saying, Yeah, I’m going to get my nails done on Saturday.

I also told myself if I finished enough stories to have a book-length collection, then I would have met my goal. I had done what I said I would do — write a collection. That didn’t mean the stories had to be published. Right? For me, the idea of getting published was terrifying. I worried about everything. Will people like my stories? Will anyone read my book? Will I have book signings and be the only one there? Will anyone buy my book? Will people like me? What if I mess up when signing someone’s book? Can I use an erasable pen? I waffled so much over whether or not to submit my short story collection to publishers that I could have become my own Waffle House franchise.

At the end of 2023, I had enough stories, but not enough courage. Then I discovered the Iowa Short Fiction Award and the Flannery O’Connor Award for Short Fiction sponsored by the University of Georgia Press. These contests are for emerging authors. I entered both of them. I didn’t believe I stood a chance of winning anything, and that made submitting my stories to them less nerve-wracking. But I took each entry seriously. I read all my stories out loud and silently, again and again. I had my readers rank which ten stories they believed were the strongest so I could place them at the beginning, middle, and end of my collection. I didn’t win anything in either contest. But after I sent my collection off to the Iowa contest, I started writing in my bios: She recently completed her first short story collection and is querying publishers.

After receiving rejections from the Iowa and Georgia presses, I waffled some more. I think I might have driven a few people crazy with my waffling. And I’m so grateful that none of them told me to shut up and go away.

I was still waffling away, when I attended the Wisconsin Writers Association Conference in October 2024. While I was there, a few things happened that gave me a shove. First, I met Lan Samantha Chang, a wonderful writer who is also the director of the Iowa Writers’ Workshop. She was one of the guest speakers, and she talked about the scariness of writing and putting one’s work out into the world. And I thought, If Chang, an accomplished writer, can be scared, I can be scared. Next, I listened to a panel of three publishers speak about their presses and submission processes. Afterward, I introduced myself to the publisher of Cornerstone Press. I told him I enjoyed listening to him and the rest of the publishers. Then I said the words, “I have a collection of short stories that I’m going to submit to Cornerstone Press.” To which he said, “I look forward to reading them.”

I had done it. I had said the words out loud. At that point I knew I would have to submit my collection because I didn’t want the publisher to think my words were fluff.

I’m still scared of all that other stuff, but I’m going to take it one fear at a time. I can handle one fear at a time.

________________________________________________________________

Acknowledgments

I didn’t write my collection of stories in vacuum. I owe a lot of gratitude to so many people and organizations.

I want to thank everyone who spent any amount of time reading my stories and giving me feedback. You were always helpful.

I want to thank the people who follow my blog and would read my stories when I posted a link to where they had been published. Your positive comments meant the world to me.

I want to thank the following organizations: Lake Superior Writers, Red Oak Writing, Wisconsin Writers Association, and Write On, Door County. These organizations were a lifeline during COVID. They pivoted to Zoom classes and gatherings that gave me and others a place to connect and be writers. They are all wonderful organizations for writers who want to learn more about their craft and spend time with other writers.

I want to thank all the writers, famous and not famous, whose works I have read and who have inspired me to be a better writer. There are so many talented writers, most of whom will never be household names.

Nellie “Bly” on Assignment with Me — Something Published, “Creating Holiday Traditions with Books”

Nellie “Bly” ponders an important question regarding investigative journalism: “Isn’t it time for lunch?”

On October 10, my grand-dog Nellie, whom I like to refer to as Nellie “Bly,” went on assignment with me. I was working on an article for Northern Wilds magazine. Our mission was to interview one bookstore owner in Two Harbors, Minnesota, and one bookstore manager in Grand Marais, Minnesota, and to take photos. Nellie Bly was game. (Although, if she had been given a choice, she would have rather chased small game instead of facts.)

Going on a reporting job with a dog is fun, but it requires more time. We were gone for over six hours. In addition to doing interviews and snapping photos, our assignment included four walks, a lunch break, and a supper break.

Nellie waited in the van while I did the hard-boiled investigative work inside the bookstores, asking the managers about the history of each bookstore and which books they anticipated would be hot for the holidays. Good investigative journalism means I had to ask the tough questions too, such as “What is your favorite holiday book? and “Do you have any holiday traditions involving books?” Of course, in the name of gathering evidence, I bought some books at each store.

Nellie got paid in food and treats. However, when I ate my Happy Meal for lunch, she made it clear that she wanted to exchange her bowl of dried kibble for my cheeseburger. And when I had my six-inch sub for supper, she again made it clear she wanted to swap her bowl of kibble for my sandwich. There were no trades. I told her life in the field as a reporter is filled with sacrifices.

Perhaps, if this article goes over well, it will lead to a TV series, where I travel the country, reporting on independent bookstores, asking probing questions about each bookstore’s origins and what’s selling well, all while spending my writing paycheck on books. Maybe Nellie Bly would like to be my assistant. We could travel in a RV with a driver so I could read and she could look out the window. I can hear Nellie now — trying to negotiate a better meal deal and asking for top billing in the credits. With her good looks, she would be the star of the show in no time anyway.

[To read my article click here: Northern Wilds, pages 14-15.]

When a Friend Asks You, Repeatedly, to Read Max Perkins: Editor of Genius by A. Scott Berg

I love the title of this book because it plays two ways. When I decided to reread the book, I bought my own copy.

The first time I read Max Perkins: Editor of Genius, I did so because in the spring of 2019 my writing friend Milan suggested that I read it. He said it was a wonderful book. Then he kept following up with the question, “Have you read Max Perkins: Editor of Genius yet?” I felt bad when I had to admit that once again I hadn’t. So, in late fall I borrowed the book from the library and started reading it.

I did indeed love the book, but I never got the chance to talk about it with Milan.

Milan and I met through our local writers’ association, to which we both belonged. Before COVID the association held a gathering once a month at a local coffee house. As a person who was new to the world of writing, it was a great place for me to be in 2019. Not only did I receive lots of good advice, but it was a joy to be with fellow writers.

Every month the usual cast of writers, like me, showed up, and others came when they could. Milan came often. His enthusiasm for being with writers showed in his kindness, his warm smile, and easy laughter. He loved to talk about ideas, writing, social issues, education, and even his pickup truck when I wanted advice about trucks. Born in France, Milan had immigrated to the United States with his mother when he was a young teenager. He had written a fascinating memoir, Ma’s Dictionary: Straddling the Social Class Divide, about his life. He had a book deal with a French publisher, so at the time I met him he was translating his memoir into French, his native language.

Milan and me at the coffee house on a Saturday morning, 2019

Milan became my mentor. He asked to read my short stories, and he gave me encouraging feedback via email, which often arrived at three or four in the morning because that is the time of day when he worked on translating his memoir into French. It was always fun to wake up in the morning and find an email from him. Even nicer — he asked me for feedback on an essay he was writing.

The second week of December in 2019 was the last time I heard from Milan. I had sent him feedback on his essay, but he didn’t respond. Over the next couple of weeks, I sent two more emails but received no answer. That wasn’t like Milan. I figured maybe he had traveled to France for the holidays or maybe he had lots of company. I tried not to think about the fact he might be seriously ill or that perhaps he had died. I had never met any of Milan’s family, and other than email, I had no way to contact him.

On January 14, 2020, I sent Milan another email but again received no response. I started checking the online obituaries every few days. Perhaps that sounds morbid, but if Milan had died, I wanted to know. In March his obituary posted. He had died on March 6, 2020, at the age of 78. I’m assuming because of the time lapse between his last email to me and his death that he’d become seriously ill before he died.

I had known Milan for almost a year. We saw each other about once a month at the coffee house gatherings. And I had attended a couple of community outreach discussion groups he had facilitated regarding his memoir and the social issues it touched upon. After reading about his passing, I was so sad. I’d lost a friend, a fellow writer, and a mentor. Milan had once said that he loved to visit with me because I could talk about ideas. It was such a nice compliment. Talking about ideas was also one of the reasons I enjoyed his company so much.

I finished reading Max Perkins: Editor of Genius shortly before Milan died, but we would never talk about the book. I would never know why he liked it so much or why he kept insisting I should read it. Instead, the book became an unfinished conversation between Milan and me.

I recently reread the book about Max Perkins. My second reading of the book was prodded by a conversation with someone about a well-known writer (who was five years old when Perkins died) and his strained relationship with his editor. At the heart of the conversation was the question: How much can an editor intercede in a piece of writing before a line is crossed and the work becomes not just the writer’s but rather almost a collaboration? This conversation reminded me of the working relationship Thomas Wolfe had with his editor Max Perkins.

Because A. Scott Berg had access to hundreds of letters between Wolfe and Perkins, he was able to write about their often-tumultuous writer-editor relationship. In his book, Berg details the massive manuscripts Wolfe presented to Perkins, and Perkins’s long hours of work with Wolfe to pare them down into manageable books. (Perkins always stated that any suggestions he made to Wolfe were always subjected to Wolfe’s complete approval.)

Berg also included the opinions of some literary critics who believed Wolfe should be able to revise his own work from a rough draft into a cohesive and readable novel without extensive help from an editor. And because Wolfe couldn’t seem to do that, the critics had questions about his overall abilities as a novelist. Eventually, this caused a rift between Wolfe and Perkins, with Wolfe leaving Scribner’s for another publishing house and a new editor. Wolfe wanted to prove the critics wrong.

It’s commendable that Berg never takes sides on either the question of Wolfe’s writing ability posed by literary critics or Perkins’s role in readying Wolfe’s work for publication. Instead, Berg presents Wolfe’s and Perkins’s letters, the accolades and criticisms by others, and the events of Wolfe’s leaving Scribner’s without interjecting his own point of view. It’s up to the reader to form an opinion. I’m sure Milan would have liked to discuss Wolfe and Perkins.

I can’t say for certain what else Milan may have liked to discuss, but I’m sure there would have been lots. Berg’s book is well researched and well written. He does an excellent job of presenting information about Perkins and the many writers Perkins worked with, such as F. Scott Fitzgerald, Ernest Hemingway, Thomas Wolfe, Nancy Hale, Marjorie Kinnan Rawlings, Taylor Caldwell, and other fine writers of the 1920s through the 1940s, many of whom are still well known today.

I wish I would have read Berg’s book when Milan first suggested it to me. We would have liked talking about Max Perkins and the many writers he worked with during his editing career. I miss Milan, and I miss the conversations we never had.

_____________________________________________________________

[In 2016, A. Scott Berg’s book was made into a movie called Genius. I haven’t seen the movie, but it has some A-list actors in it. I don’t always like seeing movies based on factual events because Hollywood favors dramatic scenes over reality, but I might make an exception and watch this movie because it appears to stick to the facts better than some biographical dramas. However, overall critics panned the movie, so maybe I won’t. For information on the movie’s historical accuracy, click on Genius: History vs. Hollywood. For a synopsis of reviews by movie critics, click on Genius (2016 film).]

Writing Update: My Short Story Didn’t Win, but I Scored Some Wonderful Author’s Photos Taken by My Nephew!

My favorite photo: Ziva and me, Petoskey, Michigan. Photo by Max Youngquist, July 2024

A week ago I wrote a blog titled “Writing and Waiting.” I was inspired to write the blog because a short story of mine was a finalist in the Wisconsin People & Ideas magazine, and I was beyond anxious while waiting to hear if it would win anything. I was so excited and nervous. Over the last few years, I have read many of the awesome short stories that have won or placed in the contest, and to have my story be one of the nine finalists this year was thrilling. And even though I was disappointed not to win anything, I’m so honored that the judges liked my story enough to make it a semi-finalist and then a finalist.


While driving over to my mother’s in Petoskey, Michigan, on July 1, I learned that my story had been chosen as a semi-finalist. And even if it was counting my chickens before they hatched, I worried about having a decent author’s photo, just in case my story won something. Before this I had wanted an updated photo because the photos I have been using for bios are candid photos taken by my husband, a stranger at a writing conference, and my granddaughter.

My nephew, who is a wonderful photographer, was also visiting my mother. So, after I arrived at Mom’s, and after I said hello to everyone and gave everyone a hug, I asked him if he would take some pictures of me after supper. He’s a big supporter of my writing. Shortly after we ate and finished up the dishes, he walked back into the kitchen with his 35mm camera slung around his neck. “Aunt Vickie, are you ready to have your picture taken?” He loves any excuse to take photos.

We went out into my mother’s beautiful yard. The sun, nearing the end of its day, created a magical light. We included my dog Ziva in some of the photos because she wasn’t letting me leave the house without her. She seemed to know she was part of a special moment. Even when my nephew took photos of just me, Ziva stood next to me.

Before the photo session, Max talked about taking more photos of me in different settings around Petoskey. After the photo session, I so loved the photos he had taken that I told him we didn’t need to go anywhere else or take any more photos. I don’t like having my photo taken, and I often feel that photos of me don’t turn out well. So, I felt lucky to have a lot of great photos to choose from. And I reasoned that if Max took more photos, I would have too many choices.

Even though my short story didn’t end up winning or placing in the contest, every time I look at the photograph of Ziva and me, I’m filled with love and peace. It reminds me of my kind and talented nephew Max and my loving and loyal dog, Ziva.

And I’m enjoying a sense of calm now because it’s at least a month or more before I expect to hear from other editors about other stories and essays I submitted this spring. As those deadlines approach, I plan to stay cool, calm, and collected. As if!

Me in Petoskey, Michigan. Ziva is on my right, next to my side. I selected this photo too because I figured it’s good to have one without the family pet. Although Ziva and I agree that having her in the photo with me makes me look better.
Photo by Max Youngquist, July 2024

More about the Wisconsin People & Ideas writing contest . . .

I’m looking forward to reading the stories written by the 2024 winners. (Click here for their bios.) I have read the stories of past winners, all of which are wonderful. But there are three stories that stick with me. All three of the stories, besides being beautifully written and thematically rich, have at least one character that is unforgettable. I’ve listed the stories alphabetically by author’s last name because it’s so hard for me to pick a favorite. You can read the stories by clicking on these links:

  1. “In Rock Springs When the Angel Trumpets Sound” by Tom Pamperin
  2. “Everything Burns” by Kim Suhr
  3. “Honor Cord” by Allison Uselman