Christmas Past and Present and Future

Christmas gives me the blues. I miss the magic of childhood Christmases spent with my siblings, and I miss the magic of Christmas mornings I spent with my young children. I miss family and friends who have passed away, and the special Christmas traditions we had. Because nothing stays the same, nostalgia can be heart-wrenching.

So, I’m weaving some new traditions into some old ones.

When I was in my twenties, my mother-in-law took me to my first ballet, along with my two sisters-in-law. It was December, so of course, we went to The Nutcracker. I loved it. For two hours enchanting music, graceful dancing, sparkling costumes, and magical sets swept me away to another world. Attending The Nutcracker with my mother-in-law became a tradition for a handful of years.

This year I took my twelve-year-old granddaughter, Clara, to see The Nutcracker, her first ballet. My mother-in-law would be happy to know I’m reviving her tradition.

Clara and I were dressed in the past and present. I wore a pair of old garnet earrings given to me by a friend, a black-and-red plaid sweater given to me by another friend, and a string of pearls given to me by my mother. I carried a black purse my sister had sent me. Clara wore a black skirt I’d bought her, black leggings, and a cream-colored sweater with a brown geometric design that her grandmother had worn when she was young. We were wrapped in the beauty of the present and the comfort of the past.

The ballet started at two o’clock, so we left the house at one o’clock. Because it’s a short drive to Symphony Hall, we arrived early. Happily, we discovered a foosball table in the lobby. This might be an odd place for a game table, but Symphony Hall is next to a college hockey arena. (An air hockey game would’ve been more appropriate, but they are noisy, like the ear-splitting clack-clack of a pickleball game.) There was no foosball table when I went to the ballet with my mother-in-law. But she would have approved. She liked quiet adventures. In her seventies she painted her nails with canary-yellow and key-lime-pie-green nail polish. She changed the spelling of her first name. She asked me to take her to see Willie Nelson. She went to see The Pirates of the Caribbean with me.

My granddaughter reached the foosball table first. She dropped the ball down the side chute and pushed and pulled on the handles. “Want to play?” I asked. “Sure,” she said. A small smile tickled the corners of her mouth.

Dressed in our semi-elegant, mostly black clothes and coats, we stood opposite one another. We cranked handles and spun our foosball players. Trash talking was minimal. We focused, each of us giving 110% to our plastic, featureless foosball athletes. The game went back and forth with the lead changing many times, but in the end, I prevailed by one goal. I wanted to do a Chariots of Fire victory stride, but well . . . I was wearing pearls.

The lights reflected in the window make it appear as if the sky has lights that illuminate the Aerial Lift Bridge.

It was after 1:30, but the ushers still weren’t taking tickets. I wondered why there were so few people in the lobby. But then a ship came through the canal, and the staff, Clara, and I walked out onto a balcony to watch it glide into the harbor. No matter how many vessels we locals see enter the canal, we never tire of watching them chug under the lift bridge and into the harbor to take on a load of cargo. After the ship passed by, the staff, Clara, and I returned to the warmth of the lobby.

The ushers still weren’t taking tickets, and I got a strange feeling. After I talked to one of the staff, I found out the ballet actually started at three o’clock. Clara and I had been an hour early. We had time to whittle away, so we explored the lower level of the building. We sat in lobby chairs and watched people walk by. We checked out The Nutcracker merchandise. I bought Clara a light-up wand made of optical fibers and myself a pair of socks decorated with nutcrackers.

Finally, the auditorium doors opened, ushers handed us programs, and we found our seats.

Shortly after three o’clock, the lights in the auditorium dimmed, the orchestra began to play, and the curtain rose. My Christmas blues were chased away by pirouettes and leaps, jumps and high kicks all performed by dancers in colorful costumes. Some of the old tradition of the ballet I’d seen with my mother-in-law remained, but it was given a new twist. Instead of being set in the Victorian-style home where Clara’s family and Drosselmeyer gather on Christmas Eve, the set had been transformed into a train station. The ballet was still set in the early 1900s, but the dancers, other than the lead ballet performers, were dressed as street vendors, travelers, lumberjacks, and gingerbread cookies. I have to admit that at first I missed the version I’d seen with my mother-in-law. But the ballet was so good. And clinging to the past too tightly brings a sense of melancholy. Nothing stays the same. So, I let it go and wove the night’s new traditions in with the old.

If life were A Christmas Carol, my mother-in-law would have been Fred, the ever-cheerful nephew of Ebenezer Scrooge. She knew how to keep the spirit of Christmas in her heart all year long and how to rise above characters like Scrooge. (Circa 1935, I chose this photo for the cover of the book I helped my mother-in-law write about her life because it captured her personality so well.)

After rounds of curtain calls and clapping until our palms hurt, Clara and I exited the auditorium. We left the bright lights of the lobby behind and walked out into the dark, cold night. We stuffed our chilled hands into our mittens. Beneath our stylish coats, our hearts were warm.

And for a while my Christmas blues were banished. Maybe next year we will go to the symphony or a Christmas play, then the following year back to The Nutcracker. It’s good to look to the future.

Playing Cribbage with Clara on an Old Board

The cribbage board connecting generations

I taught my twelve-year-old granddaughter, Clara, how to play cribbage. The first two rounds we played were full-disclosure games because we laid our cards face up on the table. It’s the easiest way to teach someone to play. I taught her strategies for tossing cards into the crib, how to maximize her chance for a better hand, and how to peg points while preventing her opponent from doing the same. I taught her how to count the pairs, runs, and combinations of fifteens. Cribbage is a complicated game, but that’s what makes it fun.

I learned to play cribbage when I was nineteen years old. I was a bartender in a small unincorporated town, population 350. One of my customers asked me to play cribbage. I told him I didn’t know how. “Well,” he said, “you’re going to have to learn because when customers come in and it’s slow, they’re going to expect you to play.”

I’d grown up eight hours away in a metropolitan area, and I’d never heard of cribbage.

The customer grabbed the cribbage board and a deck of cards off a ledge from behind the bar. “I’ll teach you,” he said. He placed the pegs in their starting holes and shuffled the cards. I carried over a barstool and sat down in front of him but stayed behind the bar. After all, should another customer have shown up, I might’ve had to pour a beer, mix a whiskey-7, or pop a top on a soda. He taught me well, and I played many games of cribbage with him and other bar patrons, especially on quiet winter days and nights.

Shortly after Clara and I started our third game, I asked, “Do you want to play without us seeing each other’s cards?”

“Sure!” She smiled and her eyes sparkled, excited that Nana felt she was ready to be in charge of her own hand. She did well and quickly caught on to counting her hands, but luck plays a part in cribbage, and I had better cards. Yet none of that mattered. We laughed and celebrated our high-scoring hands. We laughed and mocked our low-scoring hands, saying, “two, four, and there ain’t no more,” or “I got nineteen.” (Nineteen equals nothing because it’s not possible to score nineteen points in a cribbage hand.) I almost skunked her in one of the games, but she managed to avoid the stink of getting beat by 31 points or more. And we laughed about that too. Both of us like to play cards and board games, but neither of us is bothered by losing. There is always another game to be played.

Clara and I played on the same cribbage board I used when I taught my grandma Olive to play cribbage. I have two other boards, but I liked knowing that Clara and I were touching the same pegs and moving them along the same holes on the same board Grandma Olive and I used forty-five years ago.

When I was eighteen, I moved in with my grandparents, George and Olive, and lived with them for almost three years. Grandma Olive and I didn’t always agree about how I should live my life. She believed I should sing in the church choir and attend Sunday sermons. She believed I should be present at the dinner table for breakfast, lunch, and supper. She believed I should be home before midnight. She believed I should have a better class of friends. She believed I should iron my shirts instead of wearing them wrinkled.

I believed Sunday mornings were for sleeping in. I believed if a friend said, “Let’s go swimming” or “Let’s play tennis,” skipping lunch or dinner was no big deal. I believed being home by midnight was for Cinderella. I believed my friends were wonderful. And I believed the heat from my body would smooth out most of the wrinkles in my shirts.

But I loved Grandma Olive, and I knew she loved me and worried about me. And because neither of us liked conflict, our disagreements were soft-spoken, thirty-second exchanges of point and counterpoint, in which neither of us would change our minds. Then I would leave the room. And she would exhale a heavy sigh.

When I wasn’t working or with my friends, I liked spending time with Grandma in her kitchen. She taught me how to make an angel food cake (lots of sifting and gentle folding) and Amish sugar cookies (pressed with the bottom of a cut-glass crystal sugar bowl). She taught me how to play Shanghai rummy, which used two decks of cards and had increasingly complicated hands of sets and runs, which players had to attain to score points.

Grandma often heard me talk about playing cribbage with customers when I bartended. “I wish I knew how to play,” she would say, so I bought a cribbage board. One evening as we finished up the supper dishes, I offered to teach her how to play. I can still picture her standing in her slightly remodeled 1940s kitchen, wearing her patterned apron trimmed in red rickrack, one of its pockets bulging with an ever-present handkerchief. She teared up, smiled, and said, “Oh, yes!”

Grandma Olive loved me even if drove her crazy, and I loved her even if she didn’t understand my generation.

Grandma Olive with me on her lap and Grandpa George with my sister on his lap, 1960. Seventeen years later I would move in and teacher Grandma how to play cribbage.

I lived with my grandparents for nearly three years. I thought I was easy to have around, and in many ways I was. But looking back, I realize that my grandparents, especially Grandma Olive, worried about me. They’d already raised three children, so having their eighteen-year-old granddaughter come to live with them during their golden years wasn’t ideal. Grandpa, who was never a talker and still worked at his gas station six days a week, would remain an enigma to me. But Grandma and I came to know and appreciate one another, most of time.

So sometimes when the baking and cooking and dishes were done, Grandma Olive and I would sit at the old wooden kitchen table covered in oilcloth and play Shanghai rummy or cribbage. We talked and laughed, and forgot about our disagreements, neither of us caring if we won or lost the game.

A few years after I moved out of my grandparents’ house, Grandpa George died, and Grandma Olive developed dementia. She and I couldn’t play cards anymore.

Comes a time when there isn’t another game to be played.

Machines from the Past

My grandsons and the silent typewriter

“Hey, boys,” comes a lively greeting from a tall, white-haired man, whose cheery voice emanates from an equally upbeat face that gives the impression it has spent a lifetime brimming with friendliness. The man, who is at least as old as I am, is dressed in a pair of jean shorts and a casual blue shirt that matches the color of his fun-loving, twinkling eyes.

My six- and four-year-old grandsons have just entered the assistant lighthouse keeper’s home in Two Harbors, Minnesota. The jovial man, however, isn’t the assistant keeper. He is a tourist, like us, visiting the lighthouse grounds, which are now a museum.

He points toward the corner of what would’ve been a small sitting room. “What’s that, boys?” he asks my grandsons. I haven’t crossed the threshold yet, so I can’t see what he points at.

Without skipping a beat, my six-year-old grandson answers, “That’s a typewriter.”

“Wow,” the man says, now looking at me. “Most kids don’t know that!” He reminds me of my father who would’ve put this kind of question to anyone, young or old, in a museum, hoping the person wouldn’t know the answer, giving him the opportunity to burst into a history lesson. In the absence of strangers, my father would quiz me, “Do you know what this is?”

I smile at the man, and as an explanation, I say, “Their nana is a writer.” But this isn’t why my grandson knows a typewriter when he sees one. None of my grandchildren have seen me use one. I do my writing on a laptop. Although I wrote plenty of college papers on a typewriter, I can’t say I miss it. I made too many mistakes and smeared thick globs of whiteout on typos, which resembled miniature frescos when they dried, but without any artistic flair.

I’m not sure why I blurt out, “Their nana is a writer,” but something in the tall man’s happy manner makes me happy, so I say it because writing makes me happy. I’m already thinking about our encounter as something to write about.

So, why does my six-year-old grandson know that the machine with rows of letters is a typewriter? Because I like to take my grandkids to small museums. A month ago we visited the Old Firehouse and Police Museum. On the second floor in an old office displayed with artifacts, he pointed to a typewriter sitting on a wooden desk and asked, “What’s that?” I explained what it was and how it worked, and that the fire chief used it to type reports about the fires they fought.

The white-haired man moves on to another room in the assistant keeper’s house turned museum. My grandsons and I look at the typewriter. “Can I touch it?” one of them asks. My first impulse is to say no. Instead, I look at the typewriter. I don’t see a do-not-touch sign. If I had, I would’ve said no. In my family there are two kinds of people: those who can’t ignore signs and those who feel they are merely suggestions. But I’m flirting with a technicality because I know museum curators don’t want visitors touching artifacts.

I think back to the mid-1990s when I took my father and my two sons to the same fire and police museum that I recently visited with my grandkids. Inside the museum was an old fire truck, with a hand crank used to start its engine. I came upon my father turning the crank, which was located right below a sign that said: DO NOT TURN THE HAND CRANK.

“Dad,” I said, “you can’t do that. Look at the sign.” I wondered if he thought the engine might roar to life.

“Well, they left the crank here,” my father said, as if the presence of the crank negated the command: DO NOT TURN THE HAND CRANK. The old hand-crank fire truck was still there when I took my grandkids, but the sign was gone and so was the hand crank. I don’t think my father was the only person who turned that crank. He was a mechanic nearly all of his life, and the urge to tinker with mechanical objects never left him.

My grandsons and I are still staring at the typewriter. I think about my father and his belief that signs weren’t meant for him. He routinely ignored handicapped parking and speed limit signs. When he taught me to drive, he said that I could take curves at twenty miles over the posted limit. I stare at the typewriter, thinking about the fingers from the past that pushed its keys, sending thin metal bars with raised letters clacking to an inked ribbon, leaving black words on white paper. My grandsons stare at the typewriter as if it’s a mystical object, but I have no idea what they are thinking.

“You may touch it,” I say, “but very gently, like this.” And, I brush my fingers like feathers across a few keys. There is no one to tell me, “You can’t do that.” There is no one I can answer back to by saying, “Well, there isn’t a sign.”

I add, “Do not push down on the letters.”

Each grandson takes a turn, stroking a few keys softly, like they are a newborn’s forehead. Sensing they’ve been granted a special privilege, they are silent. Neither of them pushes down on a key. But I imagine they think about what it would feel like and how the typewriter would react if they did.

Suddenly, I understand something about my father and the old fire truck and its hand crank. He wanted to feel that crank turn. Perhaps, because he’d never had the opportunity. By the time he was born in 1937, hand-crank cars were a thing of the past. But his father, who opened a gas station and repair shop in 1920, would’ve worked on cars with hand cranks. Perhaps, my father wanted to touch something that linked him back in time to his father.

After all, I enjoyed touching the typewriter keys and wondering about the lighthouse keepers and the documents they typed. Perhaps, in their off-hours, they wrote novels or stories or poems about the solitary life of lighthouse keepers and the stormy moods of Lake Superior.

We move on from the typewriter, looking at a way of life from the early 1900s. An old stove waits for someone to start a fire in it and cook a meal in cast iron pots. Old dishes sit on a scarred table, waiting for a meal to be served upon them. An ancient washing machine waits for someone to load it with soiled clothes. Oil lamps wait to be lit after the sun sets, and an old stuffed chair waits to be filled by a weary person at the end of the day.

Over and over my grandsons ask, “What’s this?” And I explain. Over and over their hands reach to touch an object, and I say, “Don’t touch.” I point to the signs saying, Please, Do Not Touch, which had been absent by the typewriter, but are now everywhere. And each time they withdraw their hands. I can’t ignore an actual sign asking, Please Do Not Touch.

But I’m glad there wasn’t a sign by the typewriter, and I wonder if my dad would’ve pushed the keys.

Holding On, Letting Go, and Hugging a Tree

The jacket makes its return to the Goodwill, January 2023

I bought the deep-green Minnesota Wild windbreaker at Goodwill for $3.99. Its 2T size was perfect for my grandson Michael, who was two years old at the time. I kept it at my house as a spare jacket because where I live the weather changes faster than a runway model. Michael wore the jacket on misty days and sunny-but-cool breezy days and gray chilly days when the sun refused to show its face. When needed, he pulled up the hood and slipped his hands into the pockets, hiding his ears and hands from the cold.

When Michael outgrew the jacket, I saved it for Evan who wore it until he outgrew it. Then, I saved it for Charlie who wore it until a year ago when he told me, “I’m too big for this.” I had run out of grandchildren, but I kept the jacket. Throughout the year, I thought about donating it back to Goodwill, but it held memories. My grandsons wore it to the library, to parks, and on walks. When they ran and played, the windbreaker’s waterproof material serenaded them with a crinkly tune.

I’m somewhere between my mother and father on the what-to-purge-and-what-to-keep scale. My mother saves very little. A few years ago, I asked her where the instructions were for her bike lock because I needed to reset the combination. Her answer: “I threw that out.” When I complained, she snapped, “I can’t save everything.” She claims she doesn’t want to make her children clean and sort through piles and piles of possessions. But really? Even small amounts of clutter unsettle her.

Very little exists from my mother’s childhood, but I think that’s because her family had very little. What happened to the other bits and pieces from her youth? I don’t ask. Perhaps her mother threw them away, or perhaps my mother did. Sometimes memories connected to objects are painful, a place one wants to walk away from, not revisit.

In contrast, my father saved a lot of stuff: old newspapers, if an article interested him; letters, including the ones I sent him; his childhood artifacts; his pilot logbooks; trinkets of all sorts; and bits and pieces of mechanical objects because he never knew when he might need that specific part or screw or nut and bolt. He wasn’t a hoarder, and we could walk through his house without fear of being consumed by his possessions, but his garages, closets, and spare rooms were filled with his history, both the small and momentous moments. He would’ve saved the instructions for the bike lock.

My father also kept old issues of Trade-A-Plane, a publication printed on yellow paper, where pilots could buy and sell airplanes and their parts. When the Trade-A-Plane came in the mail, he would dodge his responsibilities and read every classified ad, even if he wasn’t looking to buy or sell because, as he would say, “You never know.” He had lengthy telephone conversations (at a time when long-distance was expensive) with other pilots about planes, even if no buying or selling took place.

Frustrated, my mother once asked him why he needed to save every Trade-A-Plane, and he said, “Well, you never know.” He might want to look up something in one of them. Sounds ridiculous that with decades of old issues, he would be able to find something specific from years ago. Maybe he could have, maybe he couldn’t have, but he was comforted by their presence. They held memories of the planes he bought and sold and dreams of the planes beyond his reach. When he needed to buy a pair of wings for his Cessna 196, he called the airplane junkyards that advertised in the paper. He found a set of wings in New Jersey and had them shipped to Milwaukee.

My father saved the letters his father wrote to his mother in 1937 when she was pregnant with him and in the hospital on bed rest. Her pregnancy had become difficult, and if an emergency developed, the doctor didn’t want her to be an arduous forty-mile drive from the hospital. My father was born on November 24, 1937, and his parents saved a copy of Life magazine from that week, along with the cards family and friends sent on the occasion of his birth. My father treasured all of it. He had a vein of sentimentality that ran deep through his curmudgeonly bedrock. After he died, I inherited these keepsakes, and I cherish them.

The letters my grandfather wrote to my grandmother while she was in the hospital hold the ordinariness of daily life, recounting the weather, what he ate, how much gas he sold at the station, how deer hunting season was progressing, and when he would be coming to visit her. But with each mundane line, I imagined my grandfather writing around his fears about his young wife and child, praying for them to be well and hoping for them to come home soon. Always he signed his letters, “Lots of love, George.” In one letter he wrote about his day and mentioned he’d gone “to sleep without his bed companion.” It was the only personal line in all of his letters – subtle, but filled with longing to have his wife and child home and to be a family. This would’ve been important to my grandfather who was orphaned when he was eleven years old.

I can leaf through that Life magazine from 1937 and know I’m reading the same pages my father and his parents once read, learning what was newsworthy the week their first baby was born. When I read it, I found an article about Dy-Dee doll, “the most popular doll in the world” because she wet her diapers. My mother-in-law received a Dy-Dee doll for Christmas in 1937. The doll was all the rage, and she never forgot Santa left one for her under the Christmas tree. That 1937 issue of Life is a keeper because it connects me to my father and my mother-in-law, making it something I save. My children will have to throw it away.

I understand why my father kept the letters and artifacts of his childhood. I still have the teddy bear Santa brought me for my first Christmas in 1959. In my forties, I put Teddy in a plastic garbage bag. He had holes in his neck and crotch, and most of his fur had worn off. I tried to throw him away, but I couldn’t. After I pulled Teddy out of the garbage, I told my son, “I just can’t let him go.” And my son, who embraces minimalism to the point of nothingness, said, “Somethings you just need to keep.” So, Teddy sits in my closet on a stack of quilting material. I have my yearbooks and old report cards. I have photographs and a scrapbook. I have toys and clothes and artwork that belonged to my children. I have a pair of onyx owls from Nana and a colorful laughing porcelain Buddha from Grandma Olive. I have an antique hutch filled with glassware. I save all the instructions for every appliance and bike lock I buy. But I sympathized with my mother about Dad’s Trade-A-Plane obsession.

And so, after hanging in a closet for a year, the size 2T Minnesota Wild windbreaker became like my father’s old issues of Trade-A-Plane, no longer useful. Because I wanted others to make happy memories with the jacket, and because having too much clutter in my house unsettles me, it was time to let go. I placed the jacket in the wooden clothes bin at Goodwill. Having heard the door open, a young woman with a broad smile approached me and asked if I needed a receipt. I told her no, and she went back to sorting donations. I turned to leave but I couldn’t, so I grabbed the jacket and laid it on a bin of donated books and took a picture. That helped. It’s what my father would’ve done. He was the champion of taking pictures of everyone and everything. In his later years, he always tucked a small camera in his shirt pocket.

I lifted the jacket off the books, but I wasn’t done yet. I felt compelled to tell its story, so I stepped into the large sorting room, and the young woman asked, “Can I help you?”

I held up the officially licensed NHL windbreaker with the Iron Range Red, Forest Green, Minnesota Wheat, and Harvest Gold “wild animal” logo that appears to be a bear or a wildcat or a wolf. (When asked, the Wild organization will only refer to it as a “wild animal.”) And I told the young woman the story of the jacket’s full-circle journey from Goodwill, through three grandsons, and back to Goodwill.

I felt like an old person telling a story that a young person isn’t particularly interested in hearing, but she smiled, said it was a good story, and thanked me for sharing. I’m fairly certain she meant it. On my way out of the sorting room, I dropped the jacket back into the clothing bin and hoped that soon some child’s parent or grandparent would buy it.

A few weeks later Evan and Charlie came for a sleepover, and we took my dogs for a walk. None of us thought about the windbreaker because it was a clear, cold winter’s night, and we wore snow pants and heavy jackets, knit hats and insulated mittens. We passed the west side of the park, and Evan pointed to a tree and asked, “Do you remember when we circled around this tree last summer?” I didn’t remember, but I said yes because it was important to him. On that particular day, he might have been with his mother at the park, but that’s the slipshod nature of memory. Perhaps that’s why we keep physical remnants from our past. And on that clear, cold winter’s night with stars sparkling above us and a moon peering down at us, I remembered the Minnesota Wild windbreaker I’d given away.

Evan climbed the snowbank by the road, hugged the tree, and said, “This tree holds all my old memories.” He might grow up to be the kind of person who will save every issue of the Trade-A-Plane, all his Nana’s cards and letters, and the instructions for a bike lock. Or perhaps not. But at the agèd year of six, Evan already treasures his memories. And he understands the ability of an object to hold his heart.

Bloganuary Post for January 9: What’s the Most Memorable Gift You’ve Received?

[Bloganuary is hosted by WordPress. A new topic is presented each day during January. With this post I’m both behind and moving in reverse through the topics. But Merlin aged backwards, growing younger, so there you go.]

Charlie in Turtle Park, November 2022

Choosing anything to label as “the best” or “most memorable” or “the greatest” is difficult. The answer to my most memorable gift would’ve been different last year, ten years ago, twenty years ago, or forty years ago, and if I wrote about any of those gifts, it wouldn’t mean the others were less memorable. So, I’ve decided to write about my most recent memorable gift for a couple of reasons. One, it’s recent, so I remember more details, and two, because, well, it’s memorable.

In December my youngest two grandchildren, Evan and Charlie, came for a sleepover. When they arrived, I opened the overhead door to let them in the garage. Charlie, the four year old, stood in front of me clutching the top of a sandwich baggie in his fists. His dad and grandpa talked to each other, Evan talked to everyone, and Charlie talked to me, keeping a firm grip on his baggie. But his voice is small, and his C‘s come out as W‘s, and sometimes he drops his S‘s. My ears have trouble distinguishing between M‘s and N‘s and B‘s and D‘s. Sometimes in a room of crowded voices, it’s hard for my ears to decipher Charlie’s words. But I figured he was talking about a snack in the baggie, so I patted his head and said, “That’s nice.” I told him to go inside and take his jacket and boots off. Charlie smiled big, and went into the house.

My son looked at me. He knew I hadn’t heard a word Charlie said because I had that look on my face. The look of someone pretending she has heard. “You know,” my son said, “Charlie filled that baggie with warm air from the car. He wants to give it to you for your house.”

I did not know. I had not heard. I followed Charlie into the basement.

“Charlie, you brought me some warm air. Thank you so much.”

“Yeah!” Charlie cooed, smiling even bigger, firmly holding the baggie, making sure none of the air escaped while he shook off his boots one at a time. I offered to hold the baggie of air while he took off his jacket.

I handed the air back to Charlie. “Let’s go upstairs, and you can set the warm air free.”

In the living room, he placed the baggie on the coffee table, opened it, and let the warm air loose. I opened my arms wide. “Can you feel all that nice warm air?”

“Yes, I can,” Charlie said, opening his arms wide, lifting his fingers up toward the ceiling to feel the warmth of his gift, his face filling with the joy of giving his nana such a fine present.

Flashlight Magic after a Snowstorm

Last week a snowstorm moved through our area, and school was cancelled three days in a row. I took care of my youngest two grandsons for two of the days, which included a sleepover.

After the first day of the storm, there was a lull in the evening before part two of the storm hit. So, on a beautiful, warm winter evening dressed in fresh snow, my grandsons bundled up in their outerwear, and my husband gave them headlamps to strap around their hats. I leashed the dogs, and we went for a walk.

My happy grandsons ran down the sidewalk, mesmerized by the bouncing lights shining from their headlamps. They laughed and played games as they ran. My dogs and I trailed behind. The dogs ignored their antics, but I remembered my sisters and I as young children and our fascination with flashlights. We’d heist a flashlight from the kitchen junk drawer and hide it in our bedroom. After dark, we used it to create animals with our fingers on the walls of our bedroom. We had such fun–until my father, days or weeks later, opened the junk drawer to find his flashlight missing when he needed it.

My father’s voice would boom: “Where’s my damn flashlight?” My sisters and I would exchange glances, then fetch it from the bedroom and place it in his hand.

“I can’t have a damn thing around this house!” he’d spout. My father, a master of hyperbole, turned every problem that impacted him into an all-or-nothing event.

In reality, there were only two things my father couldn’t have around the house–flashlights and tape measures. Considering he was a mechanic with an amazing array of tools in his garage and a junk drawer full of household tools, he could’ve fared worse. My father’s booming voice didn’t deter us. Eventually, we’d hijack the flashlight again, always with a plan to return it before he noticed it was missing, a plan that usually failed.

At some point we discovered tape measures were fun, not because we measured stuff, but because the metal tape could be pulled out and locked in place, then with a flick of a finger, unlocked. And ZING, twenty feet of metal tape would dash into its case with satisfying speed and a snappy sounding CHING. Of course, we often forgot to return the tape measure.

One day, one of us, I think it was me, pulled the metal tape out too far. Nothing we tried would fix it. Next time my father boomed, “Where’s my damn tape measure?” we wouldn’t be able to retrieve it and put it in his hand, unless we handed it to him with its innards spilling onto the floor.

We did the only sensible thing we could think of–we placed the broken tape measure in a paper bag and carried it into the field of tall grass behind our backyard. We left it there, hoping no one would find it.

I don’t remember if my father or mother ever found the bag. And I don’t remember what happened the next time my father boomed, “Where the hell is my tape measure?” I asked my sisters and they didn’t remember the event, although they were part of the caper and cover up.

Sometimes I think I have a vague memory of it being discovered, but that my father made no bigger deal out of it than to repeat his usual “I can’t have a damn thing around here” lament, a tirade that probably lasted only a minute or two because being a busy guy, he had other things to do. He also had tape measures in his garage.

My father could at best be described as a curmudgeon, but for all his bluster, he was sentimental. Once we all grew up and moved out, I wonder if he ever went to his junk drawer and felt a bit sad to find both his flashlight and tape measure undisturbed.

Dad and me, before I started playing with his flashlights and tape measures.
Dad was 22 years old, and I was ten months old.

Watching my joyful grandsons with mini flashlights strapped to their heads made me smile, and I offered up some words to my father who passed away six years ago. Dad, I know our love of your flashlights and tape measures drove you crazy, but thanks for being a good sport about it–in your own way. And I told him that my grandsons are crazy about flashlights and tape measures, and if they lived with him, he’d find those things going missing once again.

Minion Saves Halloween

My four grandkids come trick-or-treating this evening with their parents. A grim reaper, a Pikachu, a hamburger with the works, and a firefighter.

And then I hear a small doctor (or maybe he’s a nurse) who’s about five years old.

“Trick-or-treat,” says the wee medical professional dressed in blue scrubs, pinned with a name badge. He smiles and looks at me with anticipation, holding out a small white bucket. His mother is standing with my daughter-in-law.

“I don’t have any candy,” I say. I didn’t buy any because I decided not to pass out candy. What I have in the house are four plastic zip bags with small toys, fancy pens and pencils, and lip balm for my grandkids.

The wee medical guy repeats, “Trick-or-treat” because surely the lady who just told him she doesn’t have any candy is confused. It’s Halloween. There must be candy.

I go inside and grab the four bags of goodies for my grandkids. As I slip the goodies in their trick-or-treat bags, I keep apologizing for not having something for the wee lad in blue scrubs. His mother says that it’s okay and explains to him that the lady didn’t know he was coming.

The little boy’s cheeks quiver, the corners of his mouth tilt down, and tears fill his eyes.

I’m so sorry, I say again. It’s okay, the mom repeats.

But it’s not okay. He’s a little boy, maybe five. He doesn’t understand. It’s not okay that he’s left out. And he’s too young to understand that some lady doesn’t have candy or something for him. He has done his part. He is dressed up. He has said, Trick-or-treat. He has watched four other kids get a treat, but he is getting the trick.

I think about finding something for him. I think about my purse. I have things in my purse. It’s like Mary Poppins’s bag. But there is nothing fun in my purse for the little medical guy.

Because we’re all standing in my driveway, I think about my van. Bingo. I have toys in my van.

“Wait a sec,” I say. I open the sliding door and look at several small toys. I grab a Minion because when you wind it up and push down on its curl of hair, it vibrates. Perfect because the wee fellow in blue scrubs deserves something fun, something interactive, something to evaporate his tears before they slide down his cheeks.

I hold it in front of him and demonstrate how to make the Minion vibrate. I place the pulsating toy in his hands, and his face lights up, like I’ve just handed him a beautiful beating heart.

I back up several feet and tell my grandkids and little medical dude to line up so I can take their picture. This Halloween my annual picture will have five children in it. I want that sweet little boy to feel welcome, not left out, so I only take pictures of all the children together.

Later I look at the pictures. My four grandkids are smiling at the camera. But little medical guy? In every picture, he is holding the Minion cupped in his hands, smiling at it like it’s a newborn he just helped deliver. It’s Halloween, it’s a time of pretending, it’s sweet spooky magic.

I’m glad I keep stuff stashed in my van. Medical dude doesn’t know it, but when I look at the picture of him looking at his Minion treat, and I see his smile, it’s clear that he gave me the better treat.

Field Research on the Pandemic

There’s talk. Is the pandemic over? Are we still in the midst of the pandemic? Will COVID surge this winter? What about the rumors of a butter shortage?

I could do some research on the CDC website. Or the World Health Organization website. I could interview Dr. Anthony Fauci at the NIH. Or Surgeon General Vivek Murthy at the Department of Health and Human Services.

Instead my six-year-old grandson and I did some field research in a bathroom at a Cold Stone Creamery. Of course, we ate ice cream first–protocol, you know.

We spotted this toilet paper roll in the bathroom. My grandson asked why it wasn’t inside the holder. (He also asked why I was taking a picture of toilet paper.) I asked why it wasn’t locked up inside the holder.

During the beginning of the pandemic (a.k.a. The Great TP Shortage), this unsecured toilet paper might have been purloined. Don’t let the size of this roll make you think it would’ve been too big to steal. Sure, a person couldn’t slide it into a pocket. But it would fit in my purse, and there are women who carry bigger purses than me. Some people carry backpacks.

Our scientific research findings: The confidence displayed by the people who didn’t steal this roll indicates they believe The Great TP Shortage is over.

Later that afternoon my grandson took me to get the new multivariant COVID shot. On Sunday, I bought one pound of salted butter and one pound of unsalted butter. Now, it’s wait and see.

Infinity of Joy

Coming back from a trip to the library, July 2022

“Nana, you have an infinity of dishes,” says Evan, who is nearly six; who tosses words into the air and pairs them with unlikely partners; who strings together metaphors like a bohemian necklace; who loves puns, making up his own then laughing and asking—Do you get it?

A punster, a mixer of words, a stringer of metaphor, he should be a writer, and I tell him so. He answers, “But I can’t write any words.” I remind him he’s starting school, he will learn.

For a moment the infinity of dishes that tracks through my kitchen from cupboard to table to counter, waiting to be stacked in the dishwasher or hand washed, depending on their taxonomy, gives me pleasure because Evan’s linguistic artistry gives me pleasure.

Room to Write

[This essay was published on Brevity Blog, June 6, 2022.]

A couple of weeks ago, within twenty-four hours, both Stephen King and my mom told me I needed an office for writing. I decided if Mom and Mr. King agreed about something, I needed to listen.

My office space along the wall

Of course, Mr. King was talking to me from the pages of his book On Writing. He advised me (okay, he was talking to all writers) to have a space of my own with a door that closes. He wrote Carrie and Salem’s Lot in the laundry room of a trailer, but there was a door that closed. He never mentions if he ever threw a load of dirty clothes in the washer. I would have washed and dried clothes and written between the cycles.

Then Mom called. I felt too blue to just put a smile in my voice and chitchat about weather and family and the latest movie she had seen. Spurred on by Mr. King urging me to have an office with a door and frustrated by the traffic patterns in my writing space, I was weepy about not having a quiet place of my own to write.

My office space in the living room had worked if I was home alone, but my amygdala had begun to associate it with interruption and chaos. The living room is a thoroughfare from one side of the house to the other. When my husband is home, he likes to stop off and chat as he motors through. My grandkids also play in the living room three days a week. They inhabit the space with toys and voices and nonstop movement. While playing, they chatter with delight and argue with rancor, all of it mall-level noise. So, it didn’t matter if my husband and grandkids weren’t in the house when I tried to write because my brain would anticipate interruption and commotion anyway, leaving me frazzled. Logically, I understood why I was antsy, but it’s not easy to calm down a fired-up amygdala.

Mom suggested I turn the spare bedroom, tucked at the front side of the house, into an office with a pullout couch. “You can take a nap on the couch when you’re tired, and you can use it as a bed when the grandkids sleep over.” I wondered what Mr. King would say about napping in one’s writing office.

Sloth on a Shelf: I write faster than he does!

I rejected the pullout couch solution, but Mr. King’s and Mom’s advice started me thinking. Over the next several days, I wandered in and out of my two spare bedrooms with a tape measure, sizing up the dimensions of the rooms and the furniture, arriving at a solution. I swapped a desk and dresser and bought a bookcase. For the first few days, I would wander into my new space and stare at it with wonder and love, the way I looked at my children when they were newborns.

It’s not a whole office, but I like it that way. It’s a little cramped, but when I sit at my desk, it feels like a hug, and in a pinch, the bed right behind me serves as a table. Mr. King says a writing office should probably be humble, so my space measures up. I can shut the door, so I’m not interrupted. And when the grandkids visit, they aren’t allowed to play in my room.

My amygdala does yoga. I breathe and write.