[To read Part 1, click here.]

I Cheerfully Refuse by Leif Enger, 2024

Somewhere in the near future, perhaps twenty or thirty years from now, Leif Enger’s novel takes readers on a journey of magical-dystopian realism along the shores of Lake Superior and out into its waters. His main character Rainy has a happy life. He loves his wife, Lark, who runs a bookstore inside of a bakery shop. He loves to read and to play his bass guitar in a band with his buddies. He has inherited Flower, a small sailboat, which he works to restore because he fancies himself a bit of a sailor.

But readers soon realize that something is wrong with the world in which Rainy lives. Books have nearly disappeared and reading is frowned upon. The climate has changed, and Lake Superior has warmed, creating powerful storms. Lawlessness, mostly unchecked, lurks in places once considered safe. Ominous medicine ships anchored near the shores, seek to cure the youth by breaking their willful behavior and bending their thoughts in a manner deemed acceptable by the wealthy Astronauts, who wish to mold them into compliant, cheaply-paid laborers.

When Kellen, a young man, arrives in town, Rainy and Lark allow him to live in their attic. Kellen himself is not trouble, but trouble is following him. And when that trouble arrives, he is a man called Werryck, leaving Rainy no choice but to flee in his sailboat upon the tempestuous waters of Lake Superior.

Enger’s tale is spellbinding. His lyrical prose hovers above the dark underbelly of a society that has come undone. We experience a world of natural beauty and serenity along Minnesota’s North Shore. Yet, we know something is profoundly wrong because we can feel the pulsating evil that lives beneath Enger’s exquisite prose. Enger doesn’t dwell on how the world in which Rainy lives fell apart. Instead, as we follow Rainy on his journey, Enger trusts us to ponder those possibilities.

From the standpoint of craft . . .

I admire Leif Enger’s rich prose. He uses language to create imagery and metaphors that are fresh, but never out of place or over the top. His descriptions of Lake Superior, the weather, sailing, and playing a bass guitar add realism to his story. Lake Superior and its weather become a character in his novel. His story is tightly woven: A throw-away remark, or an infectious smile, or a benign action may seem to have been randomly tossed into the story, but later I would realize it was a telling moment, making me feel like I’m a smart reader.

Several people who read Enger’s book before I did would say they loved the book, but it was dark. And here is where Enger’s writing shines. Some of his themes are dark, but others are hopeful. Some of what happens in the story is sad and scary, but he tells the story in a way that gives his readers a reason to hope. Enger knows what to tell in a story, what to hint at, and what to leave to a reader’s imagination. If you’re a writer looking for a mentor book with a story told as a hero’s journey, this is a great book to read.