
I’m back with a quick review of the third mystery in the Peter McGarr series by Bartholomew Gill. I said I’d keep you updated about how Gill’s series progresses. [To read my thoughts about Gill’s first two novels, click here.]
McGarr on the Cliffs of Moher debuted forty-seven years ago. I believe it’s out of print because Amazon sells only used copies. I bought well-worn copies of Gill’s first three books from ThriftBooks. In my review of Gill’s first two McGarr mysteries, I said if I liked the third book, I would buy a couple more. Well, when I finished reading The Cliffs of Moher, I bought Gill’s fourth and fifth mysteries, once again from ThriftBooks.
What’s McGarr on the Cliffs of Moher about?
Shortly after traveling from America to visit her parents in Ireland, May Quirk is found dead in a pasture near the Cliffs of Moher. She has been run through the chest with a pitchfork. May was born and raised in Ireland, but shortly after becoming a young woman, she left Ireland for New York City, partly to follow a young man whom she loved and partly to seek opportunity and adventures not available to her in Ireland. In New York her romance with the young man falters, but they remain friendly. May finds success as a well-respected journalist.
CID Peter McGarr has a list of suspects, each with a motivation worthy of murderous intent. Did the man she originally left Ireland with kill her in a jealous rage? He had returned to Ireland about the same time she did. Did the country farmer down the road from her parents kill her? The farmer has been obsessed with May for years, believing God intended them to be together. Did the man who discovered May’s body in the field kill her? He doesn’t seem to have a motive, but he was so drunk on the night of May’s murder he can’t remember passing out next to her body. Did someone in the Irish Republican Army have her killed? If threatened, the IRA is capable of swift and cruel violence. Did May’s current lover, who is married, kill her? He wanted to marry her, but he’s an Irish Catholic with a passel of children, and May seemed uninterested in becoming anyone’s wife.
Why did I like this book?
It’s a page-turner. Once I start reading one of Gill’s books, I don’t want to put it down. The dialogue is snappy, with just the right amount of levity. I like the rivulets of sarcasm permeating McGarr’s conversations with suspects or other people who try to get in the way of his investigation. So far Gill’s books have interesting plots, and I’m kept guessing about whodunit. Finally, McGarr’s books are quick reads with well-written prose that often sparkles, but they don’t require deep thought on my part. And for this reason, while I enjoy them, they don’t rank as high as some other detective series that I have read.
Back to my thoughts about Gill’s books from a standpoint of craft . . .
You might remember I mentioned there was so much drinking in Gill’s first two books that I often felt like I’d wake up with a hangover in the morning. The consumption of alcohol in this book surpasses anything found in the previous two, partly because a lot of scenes are set in pubs in Ireland and New York. I don’t know how some of the characters can drink so much and still walk, talk, and think, let alone commit crimes or try to solve them. I have moved beyond the idea I might be vicariously hungover in the morning to seriously thinking I might need a vicarious twelve-step program after reading the series. I wonder if McGarr can keep up his pace of drinking throughout the series.
I’m still waiting for McGarr to have some sort of crisis of the soul. We don’t learn much about him in this book either. It’s mentioned again that he grew up in poverty, but that doesn’t seem to have affected him in any visible way. But where does all that drinking come from? Is Gill perpetuating a stereotype about the Irish love of whiskey and beer? In Gill’s stories there is a fine — but uncommented upon — line between McGarr and other characters, some of whom seem to be able to drink without getting drunk, and others who cannot hold their liquor. McGarr is one of the characters who can hold his liquor and solve crimes.
I’m waiting to see if female detectives will become part of the Irish constabulary landscape. However, it’s still the 1970s in McGarr’s world, and it’s a male dominated society.
McGarr’s marriage is another curiosity. His wife, Noreen, is twenty-one years younger than him. He married late in life because he considered himself a confirmed bachelor. In this book we learn why he married, but I’ll let you discover the reason for his marriage. It’s tossed in as a single sentence, but the sentence is striking and not easily missed. I always like to discover these little gems in a story for myself, rather than being told. The McGarr marriage could become an interesting side story. There are many ways Gill could play it.

So, I bought the next two books because I’m still curious to see if and how Gill develops his characters. In the meantime, his crime mysteries are entertaining reads just as they are.












































